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#namibia

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After finishing my Simulator training last week I got to go on a rotation as Additional Crew Member (just observing and learning no hands on flying for me) to Windhoek Namibia. Our Crew hotel there is located at the smaller city airport and I used the opportunity to spot a bit from the golf course which extends to the airport fence. The surrounding hills make for some great background.
#aviation #Namibia #spotting #photography

Continued thread

Say there is a user X on random server Y. Assume that no user on mastodon.social (for example) follows user X. Assume that users on mastodon.social follow other users on server Y. Assume further that neither server has blocked the other.

User X writes a post containing the term, say, #Namibia. The post receives no reply, no boost, no like.

Later, someone searches for #Namibia on mastodon.social. The search results will NOT include user X’s post containing the term #Namibia.

(continues)

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In December, Namibia elected its first woman president, Netumbo Nandi-Ndaitwah, who will take office in March if court proceedings over the results go her way. @thecontinent looks at who she is — “hawkish and conservative,” and the country she’ll be leading.

continent.substack.com/p/first

The Continent · First woman president crowned after peaceful pollBy The Continent
Face to face : a portrait up, close and personal of a Cape Fur seal in Namibia.
It took me hours in cold water at Walvis Bay to get that shot. One thing that I do love is to get very close from wildlife (if they agree so ;-) )
Cape Cross Seal Colony, in Namibia, is the breeding place of the Cape Fur Seals, which are actually a species of Sea Lion.

How I took that photo ? Panasonic GH5 Fisheye 8 mm Olympus 1/200e f16 Iso 640 Manual Raw No Strobe Natural light Isotta Underwater Housing

Face à face : un portrait en gros plan et personnel d'une otarie à fourrure du Cap en Namibie.
Il m'a fallu des heures dans l'eau froide de Walvis Bay pour prendre cette photo.
La colonie de phoques de Cape Cross, en Namibie, est le lieu de reproduction des otaries à fourrure du Cap, qui sont en fait une espèce d'otarie.

#wildlifeprotection #wildlife #wildlifephotography #nature #photography #photo #seal #seals #namibia #underwater #nature #natur #natura #park #nationalpark #closeup #wideangle #sealife #sealion #sea #ocean #afrique #africa #otarie #viemarine #marine #life
This is a place that I love so much: Deadvlei, a white-clay pan spiked with the dark silhouettes of long-dead camel thorn trees, in the heart of Namib-Naukluft National Park. Surrounded by red dunes, the landscape here is nothing if not surreal—it’s no wonder the region has been used in dream sequences on the silver screen.

How I took this photo ? Canon R3 EF24-70 f2,8 1/500e f8 Iso 400 Manual Raw No filter

C’est un endroit que j’aime beaucoup : Deadvlei, une cuvette d’argile blanche parsemée de silhouettes sombres d’arbres à épines de chameau morts depuis longtemps, au cœur du parc national du Namib-Naukluft. Entouré de dunes rouges, le paysage ici n’a rien de surréaliste – il n’est pas étonnant que la région ait été utilisée dans des séquences de rêve sur grand écran.

#landscape #landscapes#landscapesphoto #art #photo #photography #namibia #namibie #deadvlei #solitaire #landschaft #landschaftspark #africa #digitalart #canon #canonR3 #canonphotography #canonphotographers #nature #naturephotography #parcnaturel #paysage #paysages #arbre #arbres #baum #tree #trees #dune #sand #woman #women #florianlaunette

This is a #Portuguese ship that sailed from Lisbon in 1533. Her fate was unknown for centuries until her remains were discovered in the #Namibia desert during diamond mining operations near the coast.
The Bom Jesus turned out to be an interesting and very valuable find: on board were many Spanish and Portuguese gold coins (which helped identify the ship), about two thousand German copper bulls and more than 100 elephant tusks. The total value of all assets is estimated by experts at $13 million.

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In 'Seasonality and schismogenesis', social anthropologist #ThomasWidlok draws on longterm fieldwork with Hai//om people of northern Namibia, envisaging an ‘indigenous critique’ of two key themes: oscillatory switches framed by seasonality, and ‘schismogenesis’. He calls these ‘doing seasons’ and ‘doing difference’. Doing seasons without ‘unruly switching’, Hai//om indigenous voice critiques the structuralist/dualist seasonal perspective in The Dawn of Everything ‘coloured by agricultural folks in the high latitude zones’. Life histories collected from Hai//om seniors also provide the opposite of ‘doing difference’ – that is, ‘undoing difference’, when they describe living with !Xû neighbours as ‘children of one woman’.

#anthropology #schismogenesis #Hai//om #Namibia #indigenousvoice

liverpooluniversitypress.co.uk